Text source |
A. Rhoby, 2018, Ausgewählte Byzantinische Epigramme in Illuminierten Handschriften, Wien: 491
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Text status |
Text completely known |
Editorial status |
Critical text |
Genre(s) |
|
Metre(s) |
Dodecasyllable
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Subject(s) |
Job
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Tag(s) |
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Translation(s) |
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The painter has shown us Job naked, full of bruises, his flesh wasted away, for he had no pity whatever of the man of many sorrows and injected his pain even into pictures.
- Language
- English
- Source(s)
-
C. Mango 2011, The Epigrams, in P. Canart (ed.), La Bible du Patrice Léon. Codex Reginensis Graecus 1, Città del Vaticano, 59-79: 75
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Nackt mit abgezehrtem Fleisch zeigte Hiob
uns der Maler, voller Geschwüre.
Denn er hatte keineswegs Mitleid mit dem viel klagenden
Mann, sondern wob (dessen) Plagen auch in die Bilder ein.
- Language
- German
- Source(s)
-
A. Rhoby, 2018, Ausgewählte Byzantinische Epigramme in Illuminierten Handschriften, Wien: 491
|
Bibliography |
Primary
-
W. Hörandner 1991, Zur kommunikativen Funktion byzantinischer Gedichte, in Résumés de communications du XVIIIe Congrès International des Études Byzantines (Moscou, 8-15 août 1991) (vol. 1), Moskau, 415-432: 420
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M. Lauxtermann, 2003, Byzantine Poetry from Pisides to Geometres (vol. 1), Vienna: 194
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H. Maguire 1977, The depiction of Sorrow in Middle Byzantine Art, Dumbarton Oaks Papers, 31, 123-174: 137-138
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C. Mango 2011, The Epigrams, in P. Canart (ed.), La Bible du Patrice Léon. Codex Reginensis Graecus 1, Città del Vaticano, 59-79: 75
-
T. Mathews 1977, The Epigrams of Leo Sacellarios and an Exegetical Approach to the Miniatures of Vat. Reg. Gr. 1, Orientalia Christiana periodica, 43(1), 94-134: 132-133
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Number of verses |
4 |
Occurrence(s) |
[22987] γυμνὸν τὸν ἰὼβ σαρκας εκτετηκότας
[926-975]
VATICAN CITY - Biblioteca Apostolica Vaticana - Reg. gr. 1 [926-975]
(f. 461v)
(4 verses)
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Acknowledgements |
The credits system has been implemented in 2019. Credits from before the new system was in use might be incomplete.
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Identification |
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Permalink |
https://www.dbbe.ugent.be/types/5706 |